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Young Writers Society



Reincarnation Chapter Two

by Emily and the Oracle


Chapter Two: Thawing

I hadn’t realized I had fallen asleep. Or perhaps I hadn’t slept. Maybe I had just drifted into unconsciousness to escape the bitter cold. Either way, when I came to my senses, it was nearly dark out. The time when everything took on a blue quality, and shadows lingered near the edges of sunlight, waiting to swallow it up.

I knew something had woken me up. I was a very light sleeper, but once I fell asleep, I didn’t wake up, despite how uncomfortable I was. I’d only get up if something else made me.

Slowly, I raised numbed fingers to touch my lips, imagining the beautiful redness of them eaten away by frosty cold, turning it blue, like my surroundings. I could not feel a thing. I couldn’t even feel my damp sweater itching against my arm.

At least it had stopped raining.

I sat up slowly, light headed, and pressed a palm to my temple as my vision framed with blackness.

I heard nothing.

And then something brushed my shoulder, making me glance backwards. I didn’t jump- in fact I wasn’t sure if I could lift myself up at all.

Standing behind me was a woman whose beauty made even me jealous. She was wearing a dark green robe, the color summer leaves, and her hair was golden, as if the falling sun was not entering the other side of the world but instead melting into her mane. Her eyes were blue like the ocean, and seemed to dance with life.

“My child,” she whispered, and her voice was like sunshine. I could feel my bones begin to warm.

“Who are you?” I asked, my voice raspy, quiet. She smiled, gently lifting me up and sliding down under me. She leaned against the tree, wrapping her arms around me, and I leaned into her. I could feel my lungs warming, the water melting into my stomach and soothing it. My sweater started to defrost. I could feel hunger biting at my inside, and she must have felt it as well. She held me tighter, and the hunger, as if pulled back by some chain, died away.

“I am your mother,” she said.

“No, you are not,” I said, my voice louder, more clear, and yet I could somehow only whisper. What was this woman saying? How could she state something like that?

Yet as I stared up at her, I couldn’t help but wish she was my mother.

The woman chuckled, and the sound fogged my mind with happiness. She gently pushed some hair from my face, and her skin felt like velvet. “Sleep, little one,” she whispered. And I slept.

~~~~~~~~

“I found her!” I could clearly hear the shout, but it sounded so far away. I cracked my eyes open, peering through my eyelashes. My eyes were blurred with sleep, and I couldn’t see. I closed them again.

“It’s alright, sweetie. It’s alright now,” someone murmured into my ear. I felt myself being lifted, and I stayed limp, drifting between sleep and consciousness.

“Oh, my baby!” My mother’s voice made me open my eyes. She was darting towards me, and the stranger holding me, relief evident on her face. I lifted my head up slightly, waking up at the sight of her. “Oh, thank God!” she cried, pulling me into her arms and cradling me against her. I stared up at her blonde hair, which I used to think so beautiful. Now it looked ugly, dirty. And her large brown eyes, which used to look so innocent; they disgusted me now, especially filled with this much concern.

I would much rather the other woman I met be my real mother. But some instinct made me wrap my arms around her neck and hug her. She hugged me back, and then I was being pulled from her, into my father’s large chest.

“We were so scared. Why did you run off?” he asked softly. I didn’t reply. I closed my eyes and buried my face against his neck, feeling him lift me up. He thanked and apologized the other people present, never letting go of me. I could feel my mother right by my side, and every so often she brushed the hair from my face. But it was rough, uncomfortable, compared to my other mother. My real mother, I decided right then and there. That woman in the woods was my real mother.

~~~~~~~~

Later that night, It walked into my room and leaned against my bed. I opened my eyes, and he startled slightly. He must not have been expecting me to wake. He should have known better.

I stared into his big blue eyes and smirked. His eyes were dull, inanimated, and quite an ugly shade of blue. Not like my real mother's eyes.

“What?” he whispered, noticing, for once, my smugness.

“I have a secret,” I whispered back. “Something I found out in the forest.”

“Really?” His eyes grew bigger still.

“Yep. But I can’t tell you.” I turned my back to him.

I heard It hesitate by my bedside, debating on whether to bug me about it or not. I almost wanted him to. Maybe if he asked me enough I would tell him.

But no. I heard him walk across the carpet and quietly shut the door. Anger pounded against my heart. It should be dying to know my secret. He should have climbed into my bed and annoyed me until I told him. But he hadn’t. Perhaps he was dying inside. Perhaps he was just good at hiding it. And until he decided to ask, he’d be withering and decaying in his little head, wishing, praying, begging for the secret to come to him.

It was the only thing that comforted me that night.


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31 Reviews


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Mon Oct 29, 2007 12:02 am



Alright- some things fixed up.

However, I'd like to, er...critique your critique. I know this is terribly rude, but I want to point some...er, some things out.

First off- dialogue. Well, no, I'm not critiquing this. Just making another excuse (again! What is with me and excuses? ). Sadly, all eight years of my schooling has taught me...not much about dialogue. So I'd like as much help for that as I can get, and you just taught me something new! -claps happily-

Second- the mother-but-not-mother part isn't supposed to be realistic. Since, well...it just isn't. I dunno how else to explain it.

Third- yes, the whole not real mother, real mother, birth mother thing is very confusing. But I'm not sure how to fix it. I suppose people will just have to figure it out themselves, because it's part of the chapter and I'm not rewriting the whole second chapter.

(The above paragraph sounds terribly mean >_<; sorry, sorry. But it's true! >___<;;; )

<3;
Emily




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Sun Oct 28, 2007 11:42 pm



Alright, in my defense, this chapter was written without the first chapter in front of me, and therefore I couldn't get in the mood, nor did I have an actual knowledge of where I had finished my last piece. But I am the author, and I'm not allowed to make excuses D'x

Any ways, I didn't edit it as much as the first chapter...I was writing this during my random period of...lack of sleep, I suppose?

Okay! Enough excuses!

Thank you so much, again, for editing it ^_^; some stuff, had I been in the right mind to edit, I most likely would have noticed, and then other things genuinely surprised me, but going back and reading, make absolute sense. Hail the critics!

I'll get right to work on editing!

<333
Emily




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Sun Oct 28, 2007 3:20 pm
Esmé wrote a review...



Emily,

So, here I am. As always, the line-by-line crit comes first, and the impressions/like/disliked and the such are saved for the end. Onward, then!


Quote:
I sat up slowly, my head light, my vision framed with blackness, which threatened to take me under at any second.

This sentence, mostly because ‘my’ was repeated sounds a bit awkward.

Quote:
And then something brushed my shoulder, making me glance backwards. I didn’t jump- in fact I wasn’t sure if I could lift myself up at all.

I don’t really see the necessity or even purpose of the second sentence up there.

Quote:
She was wearing a dark green robe like summer leaves, and her hair was golden, as if the falling sun was not entering the other side of the world, but instead melting into her hair.

Awkward sentence alert. I mean, all is good, but somehow it seems to have an awkward ring to it, which is why I suggest you consider rephrasing. ‘(…) dark green robe like summer leaves (…)‘ - that is one of the parts that I am talking about. Maybe it has something to do with the order of the word? Next on is the time in the part about her hair. Consider changing it to another past (and no, I don’t exactly remember how that particular past is called). What I mean is ‘had’ instead ‘ing’. Yes, I think it would sound better. Also, comma before ‘but’ not needed.

Quote:
I could feel hunger biting at my inside, but she must have felt it as well.

Don’t particularly like he usage of ‘but’. Why ‘but’? Perhaps consider changing I tot ‘and’?

Quote:
“I am your mother.” She said.

Period - comma, lower-case ‘she’.

Quote:
“No, you are not.” I said,

Above.

Quote;
“Sleep, little one.” She whispered.

Above above.

Quote:
“I found her!” I could clearly hear the shout, but it sounded so far away.

*Blinks* I don’t get this, I really don’t. EDIT: Now I do, but after reading more. This part (BECAUSE OF SPACING! I would have known if not that!!!) is confusing.

Quote:
I cracked my eyes open,

You can do that? (Not ironically or anything, I just don’t know. Polish ignorance, lol)

Quote:
“It’s alright, sweetie. It’s alright now.” Someone murmured into my ear.

You know what to do here, don’t you? Lol

Quote:
Oh, thank God!” She cried,

Lower case ‘she’

Quote;
She was darting towards me, and the stranger holding me.

Huh? What? I think I know what you wanted to achieve by the abruptness here, but it didn’t turn out to well. I suggest leaving things as they are, but give more details, e.g. how did the MC feel?

Quote:
I stared into his big blue eyes and smirked the widest smirk I ever have.

Consider… What?.. Rephrasing!

Quote:
“What?” He whispered, noticing my smugness, for once.

Lower-case ‘he;. Also, as it is now, it is awkward. Consider: ‘(…) noticing, for once, my smugness”

Quote:
“I have a secret.” I whispered back.

Comma.

Quote:
And then I turned my back to him.
‘And’ really really needed?

Okay, so that is the end of the boring stuff, the ones that can be easily fixed. Let’s move on to the things that should be more interesting.

-> Back to the beginning. The first paragraph, because of those three extra short sentences, sounds a bit choppy. Now, I’m all for short sentences but perhaps merging the two second sentences wouldn’t do much harm? Another example:

Quote:
They disgusted me now. Especially filled with this much concern.


Quote:
“We were so scared. Why did you run off?” He asked softly

Lower case ‘he’.

-> Having ranted about extra-short sentences, I’ll pass to extra-short paragraphs, (e.g. the one after the first double-spacing). Again, I’m all for occasional short paragraphs (even extra-short ones - they add to the atmosphere to the story), but not when the next one is equally, or almost, short.

-> Dialogue punctuation. An YWS user wrote a wonderful article about this, but I can’t remember who it was. If you browse through the articles, then maybe you’ll find it. But, my main point is: If, after quotes, you add a tag in the likes of ‘she said’, then don’t put a period before the quotes. Edit: (I’ll give examples, sorry if that is already clear to you, there are many people to whom it isn’t):

“She ate my cat,” he said sadly.
“She ate my cat!” he called out.
“She ate my cat?” he asked.
“She ate my cat.” He turned around and faced him defiantly. (An action, nothing to do with the dialogue itself, meaning that it isn’t about how he said it).

-> Smoother transitions from e.g. calmness to fright, or something like that. E.g. the part when the woman, the ‘mother’, cackles. The MC is calm, content, and then alerted, as if something were wrong. I suggest showing the reader more of her emotions, feeling, round up the edges, because right now they are very sharp. Smoothen that part out, don’t make it so abrupt.

-> the voice intonation of the MC after intro of ‘mother’. I didn’t quote that, but I find them a tad bit weird-ish.

Quote:
I said, my voice louder, more clear, and yet I could somehow only whisper.


->Emotion, feeling. Add, at some points of the story more of it, e.g. the unreal mother part.

-> Confusing transitions. This is, up to a point, the fault of the double-spacing. You know what I mean, so I won’t rant about that. However, the part when she is found by her real mother, and her real mother being her real mother - it is most confusing. I was lost there; at first I thought that the unreal mother turned ugly. Or something.


End notes: I found the mother-who-is-not-her-other part a tad bit unrealistic. I suggest adding more details, emotions, etc., to make it more realistic. Also, work on dialogue punctuation.

All in all, I liked this chapter and am looking forward to reading more!

Cheers,
Esme

P.S. As always, if I said anything weird, PM me!




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Thu Oct 25, 2007 7:08 pm



Well, it doesn't take too hard to figure out what the woman in the woods is (I think that's the one you were talking about?). Kathira is cold, lost in the woods, alone, and quite possibly very sick. I was hoping people would be able to infer what is happening...

Thank you for your critique! I will certainly continue to work on visuals! (And I know this chapter was short, the next one will be longer).




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Thu Oct 25, 2007 6:09 am
chocoholic wrote a review...



Well, it was much better than the first chapter. Shorter, though. The only thing I can complain about is the mother just made me think of fantasy. Was she a hippy, or something like that? I'm sure it's just me and this isn't fantasy.

Your visuals still weren't very... visual, but it wasn't as bothersome this time. Keep it up.





To have more, you have to become more. Don't wish it was easier - wish you were better. For things to change, you have to change, and for things to get better, you have to get better.
— Jim Rohn